人喰いビデオ DV １５min
Cannibalism video
ミハエル・ハネケの「ファニー・ゲーム」をオマージュして撮った作品。技術も経験もない私自身の怒りと欲望がむき出ているルサンチマン的作品。制作当初からメタ映画に傾倒していたようだ。
The work which carried out the hommage of the Michael Haneke's "Fanny game", and photographed it.
The ressentiment work out of which I myself anger and a desire without technology and experience have turned to which and come.
It seems that it was concentrating on the meta-movie from the time of work.
２００６年
ここからどこまでいこう DV 22min
It relaxes how far from here
”不良少女がバイクに乗って走る”というシーンだけが観たくて撮った映画。劇映画に対する信仰が強く感じられる。
The movie which I wanted to look at only the scene of "a delinquent girl riding on a motorbike and running", and was filmed.
The faith to a dramatic film is felt strong.
カンガルーの標本 DV 11min
The specimen of a kangaroo
秋田の女児殺害事件をモチーフに撮った作品。構想と撮影と編集にずれがほとんどない。編集で物語を作ることを覚えた、と同時に物語ることに疑問を抱き始めた。
The work which photographed the girl murder case of Akita in the motif.
There is almost no gap in a concept, photography, and edit.
It was begun in memorizing simultaneously telling making a tale from edit to cherish a question.
第四の壁 DV 10min
The fourth wall
この作品でもメタ映画の傾向が現れている。イメージ先行で独断的な作品になっていた。第四の壁とは演劇の言葉でフィクションと観客との間にある見えない境界のことを指し示す。
The tendency of the meta-movie has appeared also this work.
It had become an arbitrary work by image precedence.
With the fourth wall, it points to the thing of the boundary which is between a fiction and a spectator in the language of theater and which is not visible
２００７年
無口なフレーム DV 20min
A silent frame
サイレント映画をめざした作品。映画を作る動機として、他人と関わることが根本にあった。
The work which aimed at the silent movie.
As a motive to make a movie, being concerned with others suited the origin.
２００９年
未明 DV 87min
Before dawn
東京造形大学映画専攻の卒業制作。京王八王子駅で起きた通り魔事件と同じ街に住む作中人物たちの日常を絵描く。事件に接続しない物語を用意しつつも、緊張感を観客に感じてもらおうと努めた。
結果映画自体がメタレベルで構造を持ち作品に別方向の奥行が生まれた。
The graduation production of the Tokyo University of Art and Design movie speciality.
The appearance in the work which lives in the same town as the phantom attacker incident which occurred at Keio Hachioji Station persons' every day is projected.
Although the tale which is not connected to an incident was prepared, it endeavored to get a spectator to feel a feeling of tension.
a result the movie itself a meta-level structure having a work another direction depth was produced.
２０１２年
夜のさまよい HDV ４０min
Night wanders about
中国人留学生の女性と工場でアルバイトをしている青年の物語。現実にあった出来事や会話、聞いた話をフィクションに置き換え作品とした。
The tale of the youth who is working at a part-time job at the Chinese foreign student's woman and factory.
The occurrence which suited actually, and the talk talked and heard were transposed to the fiction, and it was considered as the work.